I find that I currently have so many ideas and reference photos that I’m struggling to choose! I’ve been looking over and over at the wonderful “Puffin” photos that have been shared on Photos for Artists on Facebook, thinking that they are such interesting, almost cute-looking birds and that I could paint one. So, I went through the photos and chose one, by photographer Harry Reid, that “spoke” to me. It was fun to draw and more fun to paint. Just figuring out the background is what I almost always struggle with. I have been attempting to somewhat emulate Bev Jozwiak’s style, not without problems! I was fortunate enough to participate in her workshop last fall when she was here. I learned so much, but if you take a workshop and then don’t continue to practice those methods, you lose a lot of what you learned. Having had so little painting time, that’s what happened with me, that and the fact that I wasn’t that good at following her method to begin with, after just three days. So, I’m trying to think back to watching her work and re-learn the style that I loved so much! I can only maybe do that by trying over and over… So, here is my version of the two Puffins photo –
This painting is another inspired by one that Jim’s class did on a day when I was unable to be there. I should explain that while in class, you can work on your own thing, use Jim’s example, painting it as he did or you can take his example and “do your own thing” with it. After so many years of painting, the latter is what I do, but also using Jim’s expertise as well as my own experience as my guidance. There is always more to learn, which is the advantage to dropping into classes sometimes. The other advantages with this class are the camaraderie and fun with the great people there-and always time to learn more from my mentor!
In addition to painting florals, which is probably my favorite subject, I very much enjoy working on landscapes covering of all sorts of subjects. Rocks are often my nemesis, so it’s always a good thing to practice them, whether simple rocks or rock cliffs; the more you work on them, the more you understand and can mentally picture their shapes and angles.
My Day 10 painting is based on a reference photo that I have had for years-and never had the nerve to attempt the painting! This is such an amazing, inspirational location! I decided I was finally ready to try it and worked on it for most of the month (to this point). Very challenging and colorful, but I can see the light, shadows, the heaviness of the rocks and extreme complexity when I stand back to look at it. I hope you can too!
Our Spokane Watercolor Society Member Show continued through January 3 at the Northwest Museum of Arts and Culture (The MAC to locals) after our 2015 Juried Show came down the end of October. I volunteered as “docent” the past two Sunday afternoons and since the show was being removed Monday morning, the 4th, and I was there until closing on the 3rd, I just brought my 7 paintings home with me then. On Tuesday I received a “Congratulations” email from the chairperson of our show about my two paintings that had sold! WHAT??!! That was the first I heard about it and I have to say that, as always, I’m just over-the-moon excited and happy about that! I really love it when someone likes my work enough to live with it in her/his home! I thought I would share the paintings that these two kind ladies purchased.
Sunset (previously Basalt Rock Cliff) French Window
This was just plain fun to do-as well as very frustrating! Rocks are a subject I often struggle with, as I did last week when I did this painting. Again, rather than follow Jim’s style, I used bolder and/or darker colors in the style to which I aspire (from the workshop), along with scraping for the rocks. I like the results I got, but my instructor didn’t. Regardless of anyone’s opinion, it’s all practice and that’s a good thing! I think I’ll frame it and hang it in my studio!
This painting was also done in my re-joined watercolor class. I started with a very pale yellow wash, adding more color to the sky to give the impression of either a sunrise or sunset. It looks like a very simple work, but was great practice with the darkest darks, rocks and negative painting! What fun!