Since I wanted a bit of practice, I drew that lobster magnet, which as I said, was not intended to be a part of my 30 in 30, even though it ended up to be… This is what I ended up with and it takes me back to last month’s 20-30 minute painting challenge, since I finished this in less than 30 minutes. I guess that was good practice after all! This is also another one on the Moulin Du Roy rough watercolor paper, which I quite enjoy using! I love all the things I’m learning and all of my experimentation this month; hopefully it will stick with me and make me a better artist in the long run!
Lobster on rough paper
(Reference photo from which I drew this lobster, Phil Wingate’s pile of lobsters photo on the Facebook group, Photos For Artists.)
I wanted to work in at least one bird during the 30 in 30 challenge, then I thought something more exotic than typical backyard birds. So I searched my go-to legal-to-use reference sites and found an awesome Toucan photo. That’s another one I’ve never attempted before. Hand drawn, guided by the reference photo, watercolor on Moulin Du Roy rough watercolor paper (which is something else new to me and I really enjoyed using it). The title I have given this piece is a riff on the Froot Loops bird…
I strongly recommend not only challenging yourself to something like the 30 in 30, but also to different subject matter, styles and papers. I’ve only ever tried rough paper once before and, for some silly reason, didn’t use it again. Obviously it isn’t for every subject matter, but for this it worked great!
“Just Call Me Sam”
(Thank you to Wendy Sinclair for sharing this wonderful photo!)
This seal popping his head through the water’s surface-what a great photo. I have not tried to paint a seal before and water is always challenging to me, but that’s what this is all about – well challenging with new subject matter and to paint every day! It’s an amazing process and I’m so glad I signed up for this again!
(Photo credit to Jim Brown on Facebook’s Photos For Artists group page.)
This one is something I just don’t do, but I saw a painting by an artist I admire and simply drew and attempted to paint a very small, 5.75″ x 3.75″, version, to give me practice blending on the paper and softening edges. I’ve done too little actual painting for too long and thought this was a project that would push me into doing a lot of both. With apologies to watercolor artist, Susan Crouch, here is my pratice piece, obviously with no title since it’s just emulating someone else’s art.
I find that I currently have so many ideas and reference photos that I’m struggling to choose! I’ve been looking over and over at the wonderful “Puffin” photos that have been shared on Photos for Artists on Facebook, thinking that they are such interesting, almost cute-looking birds and that I could paint one. So, I went through the photos and chose one, by photographer Harry Reid, that “spoke” to me. It was fun to draw and more fun to paint. Just figuring out the background is what I almost always struggle with. I have been attempting to somewhat emulate Bev Jozwiak’s style, not without problems! I was fortunate enough to participate in her workshop last fall when she was here. I learned so much, but if you take a workshop and then don’t continue to practice those methods, you lose a lot of what you learned. Having had so little painting time, that’s what happened with me, that and the fact that I wasn’t that good at following her method to begin with, after just three days. So, I’m trying to think back to watching her work and re-learn the style that I loved so much! I can only maybe do that by trying over and over… So, here is my version of the two Puffins photo –
I mentioned my participation in the first ever World Watercolor Month, July 2016 – and that I had finally finished everything on August 31. I photographed those quickly, as two pages at once, because these will become a hand-made book. I must explain that because I have had so little painting time for quite a while now, I used these small works as practice and experimentation. It really helps to get the feel of the brush in hand again, as well as the various brands of paper, the multiple paint brands and colors, etc.! So, here are two of the thirty pages, most of which were painted using other artists examples.
On the left is one of the first paintings I did for this challenge in early July. It is a white Peony and, for the moment, I cannot remember if I took the photo or used one I found in one of the various Facebook groups to which I belong. The groups I refer to are where photographic artists post photos and member artists are free to use any photo essentially for any purpose, but you must give the photographer credit. Once I dig deeper and find the reference photo, I will do so here! The peony was a study to practice painting a white flower. The painting on the right is my attempt to follow a demo by Joanne Boon Thomas, obviously a man in the rain. It is so very different from anything I usually paint and was a fun challenge. Hopefully now, when I need to portray someone in the rain, this will help me to do so!
5 minute practice sketch of Daffodils from book reference
Again, a pen and ink page of sketches, this time referenced from my book, “20 Ways to Draw a Tulip and 44 Other Fabulous Flowers” by Lisa Congdon (http://www.amazon.com/Ways-Tulip-Other-Fabulous-Flowers/dp/159253886X). Daffodils are one of my very favorite flowers; they bring such sunny happiness to spring! Since my own daffodils are not in bloom yet – and it’s one flower that always gives me fits when attempting to draw/paint – I thought a little no-pre-drawing practice from this book was in order! Can you see the improvement happening as I work in this manner? I sure can! So, this is today’s sketchbook practice; not painted directly from live references, but still worthwhile practice!
Thursday, 3-12, quick sketch of recycling bin at curb
I has been a bit of a tough week, starting out on Monday with an urgent tooth extraction. The short version is – a botched root canal a number of years ago finally led to the demise of that particular molar, no matter how well I care for my teeth. The healing is going well, but the inevitable antibiotic has me feeling poorly, staying home taking it easy.
I guess that whole process has me somewhat out of the mood for painting, but I cannot ignore my art completely. Plus there is that wonderful “art Before Breakfast” book, which I did very quickly read cover to cover. While I’m not practicing exactly as is outlined in Danny Gregory’s book, I am working at filling the small accordion sketchbook I started with something each day. The sketches are not impressive, but it is a learning experience.
In this case, that learning is from just grabbing a Micron pen and going for it with whatever grabs my attention at that time, with no pencil pre-drawing. Even when I meet with my sketch group, I start with a pencil drawing, erasing and correcting things along the way. Then, when I’m happy enough with the sketch (and if there is still time since I work slowly), I will ink it and do a watercolor wash. I have many sketches done that way that I like, but it is a crutch and I need to learn to work directly! I hope that eventually, with enough practice, I will have that skill. I will still pre-draw for my paintings with a pencil, but that might just go more quickly and be more accurate the first time! The process I am practicing now can help me to become a much better artist overall and that’s what it’s all about!