Creepy, huh? This is from an internet search, done as part of the Facebook challenge called Every Day in September. The prompt for that day was “Jack in a Box/Joker” – you can see which direction I went! This was great fun to do, from drawing that maniacal face to using only black pen and watercolor (black mixed from other colors), along with the white of the page. I really think Halloween when I look at it. In fact, I think I’m going to have a small poster made from this at Costco to hang in my front window expressly for October 31!
This day 5 work is a sketch I did of the Nefertiti bust (from an online search) for Every Day in September, a sketch group challenge on Facebook. That challenge has daily prompts to use – the subject was “Egyptian.” I will post this for the 30 paintings challenge too since I’m running several days behind!
I drew this with pencil in my 6×9 sketchbook, used black ink in places and colored it with Inktense pencils. I have had them for some time, but have used them very little. This seemed like the perfect opportunity to play with and learn something about using them. It was an interesting challenge, considering I have done almost no colored portraits (which in essence this is even though it’s from a statue). I didn’t quite capture the face, but I enjoyed the exercise anyway! No matter what the subject matter or what the media, I just love creating art and learning from the process!
Sketch collage of five most recent sketches and the one of me recovering from a tooth extraction, after I added watercolor.
Since I painted and posted the rooster, I haven’t been just doing nothing! I continue to work daily in my art Before Breakfast sketchbook and I want to share the info on that. I have begun adding light watercolor washes to those sketches, which in my opinion improves them greatly. The sketchbook I’m using accepts those just fine and I very much like using it-a Pentalic Dream Catcher accordion-fold artist journal that I found at our local art store. It was a new item for them, being promoted with a sale price, so I got one each of the “draw” and the “watercolor” versions. I haven’t tried the “watercolor” one yet, but the “draw” version has beautifully smooth paper and works great with the pen & ink and light washes.
I am also in the midst of three paintings in my studio; one is going great, one has been set aside for now in favor of other more interesting subjects and the other is complete but I am not happy with the background. I’m thinking about what I want to do to correct that. If nothing else, the lesson that I do better when I paint the background first is more firmly planted in my mind. I was not taught in that manner when I did take classes, but I know that works for many wonderful watercolor artists and it seems to for me also.