I have been tied up a lot lately with Spokane Watercolor Society things. I finally got into my studio for a short time tonight and did a little reference photo searching and then drawing. All around my studio, I have quite a few of my older works and one grabbed my attention while I was sitting there.
This is one of the first pen and ink works I did. I really like the exacting, slow process of doing pen and ink work. Being one of my first makes it a little special to me and I have always liked it. But there is a more important reason that it is special. My mother was particularly fond of old mills with water wheels. I did a painting of this one, which I now have since she passed three years ago. Somewhere along the way, I wanted to try my hand at the same scene in pen and ink. I’m sorry for the poor photo, but tonight I want to share that (possibly unfinished) work with you.
One of my recent no-drawing painting attempts… This is from a photo taken in Glacier National Park a couple of years ago and was not taken with a telephoto lens, just a cell phone. Obviously the deer there are quite used to people being nearby.
What I like about this is the looseness. Even though it’s not very good, going without an initial drawing at all definitely loosened up my usually overly tight, photo-realism type painting. Being able to paint looser is something I strive for. That is not to say that I will paint this way all the time, but more practice in this manner may be a very good thing!
I always seem to be inspired by the ocean and, for that matter, most bodies of water. Perhaps growing up so near a lake has something to do with that. This was a fun painting to do, with some experiments along the way. It is based on the numerous photos I took a decade ago while on the Florida Gulf Coast. I loved watching the Sandpipers on the beach!
I am currently stressing over planning and executing a painting or paintings to enter in our Spokane Watercolor Society 2015 Open Juried Show, coming up this fall. Because of that and several other issues, I am still not managing a painting a day. I am doing something toward my art every day though – digging through years worth of photos for reference ideas, compositions, pre-drawing, sketches, etc. My smaller works might not be impressive enough for some, but after my “painting marathon” in January, for me it seems to be a better way to improve and to simply feel like I am accomplishing something. But you can’t submit anything of that size as a juried show entry… I just have to make time in my schedule for the larger works too.
I’ve been absent for a couple of weeks, since I finished the 30 in 30 challenge. I can use the excuse that I’ve been up to my neck in work for SWS-which is true! However, I learned last month that I absolutely must set aside time for my own art rather than just administrative things as president of an art group. And that’s not to say that I haven’t been actively working on art, even though it’s not been at my January pace. I will admit to a bit of a lull in inspiration though. Perhaps it’s a touch of burn-out or simply the time of the year, but ideas have been a little slim lately. That is when I sit down with an art book or at the computer to work from a video. It is all practice and I am now a real believer in the whole idea of many small paintings as a way to further/improve my art.
That all being the case, I have done a number of sketches and four new paintings. First up was a new challenge for myself – painting directly with no sketching at all, just drawing with the brush and then completing the paintings. I did two small works, both of deer, in my sketchbook in that way. Then I tried it out in my Moleskine watercolor book with a simple geranium painting. I won’t say that it was all totally successful, but it was fun and educational to give it a try! As an artist – and as a human being – I know I must continue to learn and challenge myself!
I still can’t quite get over that I finished 30 paintings in 30 days (actually in 28 days because of starting a little late)! I completed the collage of my work, then proceeded to add a border with text around it in one of my photo programs. That wasn’t my idea-it was available on the PicMonkey site, but my computer is too old and has inadequate memory to be able to handle that part of the collage procedure. Below are two versions; one with all 30 paintings and the other with the ones of which I am most proud-twenty of them. What a journey it was! Would I do it again? YES! Especially if I find myself slacking off and not devoting time to my art!